西安石油大学学报（社会科学版）

在翻译域外小说《巴黎茶花女遗事》的过程中,晚清译者林纾以中国传统伦理、礼法为尺度对原著叙事进行了一定程度的调整甚至重构,不仅消解了原作女主人公放浪无形的妓女品性,而且更以删削亲热场面、改译"爱"为"忠贞"等各种具体的翻译方式,力图实现对法文原作的中国化改造。更为关键的是,林纾将法文原作隐含的西方"宗教"命题,巧妙置换为中国以"父道"为核心的传统伦理命题。林纾有意为之的"误译",不仅实现了对原文语境中"西方妓女"形象的重塑,更于无形中彰显了自身对传统思想文化的持守。

In the process of translating the novel The Lady of Camellia in Paris,The late Qing translator Lin Shu adjusted the narrative of the original work to a certain extent(or even reconstructed) based on traditional Chinese ethics and rituals,not only dispelling the intangible prostitute character of the original heroine,but also deleting the intimate scenes and translating "love" into "loyalty" and other specific translation methods,trying to realize the Chinese transformation of the original French.More crucially,Lin Shu skillfully replaced the Western "religion" proposition implied in the French original with the traditional ethical proposition in China with "Father's Word" as the core.Lin Shu's intentional "mistranslation" not only reshaped the image of the "Western Prostitute" in the original context,but also invisibly demonstrated his adherence to traditional ideology and culture.